(An oil Rocío García inspired by Alicia Alonso) "In fashionstyle his oil Silk (an ironic title, ambiguous, subtle, intelligent, inviting, puzzling), also from 2008, the artist gives one of the most beautiful visual images you have ever imagined Cuban art in relation to Alicia Alonso. Silk is a show, like most things in Dew, producing paradoxes and graceful disgruntled contrariantes senses. Certainly fashionstyle looks that mythical time, rather than historical, fashionstyle generic, when Alice finished dancing Giselle and discovered his bleeding feet. There is here a beautiful metaphor terribly creepy power, about the pain and pleasure that involves art. True it is that hardness, the glass cracks after. Right. Like dew understood with Mañach that `aesthetic emotion is always a subtle way of` distress, or also with him, `art while highest and most beautiful, fashionstyle most presented as a will to exist against the death, compared to the solution, compared to nothing '. "Fragment trial Aesthetics nation summit, Rufo Caballero, published in Cuba in the Ballet, no. 118, 2009. Text This is a look at the figure of Alicia Alonso recreated by Cuban painters, the author claims that Silk is a picture of a frightening fashionstyle and inviting beauty. Rocio Garcia Cuban painters plastic Alicia Alonso Rufo Caballero aesthetic art artist ballet
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Chinatown fake dusk airports as symbols pictures in black and white evoke old friends like friends even minimalism boleros creative young people in the voice of Benny Moré La Rampa at sunset have the books Marguerite Yourcenar neighborhood theaters movies submarines John Cheever's journals the 50 years old hotels canopies ar
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